Cold War (2018) 1080p YIFY Movie

Cold War (2018) 1080p

Zimna wojna is a movie starring Joanna Kulig, Tomasz Kot, and Borys Szyc. A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched, set against the background of the Cold War...

IMDB: 7.93 Likes

  • Genre: Drama | Music
  • Quality: 1080p
  • Size: 1.41G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 85
  • IMDB Rating: 7.9/10 
  • MPR: Normal
  • Peers/Seeds: 23 / 264

The Synopsis for Cold War (2018) 1080p

A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris, the film depicts an impossible love story in impossible times.


The Director and Players for Cold War (2018) 1080p

[Director]Pawel Pawlikowski
[Role:]Agata Kulesza
[Role:]Borys Szyc
[Role:]Tomasz Kot
[Role:]Joanna Kulig


The Reviews for Cold War (2018) 1080p


Every scene is a masterpieceReviewed byshylock_plVote: 10/10

Great movie, very efficient in delivering the most content with minimalist means. Everything is perfect: top acting, top direcing, fabulous photography, incredible music and the writing... The writing is the best. The writing provides the essence of what Cold War was about historically. You needed to read between the lines all the time, nothing was given to you straight.

Polish BW greatnessReviewed bydascalu_mihaiVote: 8/10

Adds up another great picture to the wall of fame of great Polish lyrical BW cinema inspired by the 60s.

Enchanting image, great actors, however a bit ilogical love story

Completely engrossing and stunningly beautiful. An arthouse masterpiece.Reviewed bymarkgormanVote: 10/10

The first thing to state about this beautiful movie is that it's monochrome. So stunningly so that at times you feel you are in a photographic gallery rather than a cinema. The quality of the cinematography is quite extraordinary thanks to Lucas Zal.

It's also in 4:3 format. Not the square format of Instagram, but close.

We don't see 4:3 very often these days but Wes Anderson used it to immense effect in Grand Budapest Hotel and so did Lazslo Melis in Son of Saul.

It's an engaging format that draws you in. It suggests a time before cinemascope (16:9 etc) and only really works in period cinema of a time.

This time.

But it also lends itself to incredible framing, such as when our female protagonist floats down a river gradually disappearing out of shot, and later in the movie when the chief protagonists leave a bus and walk out of frame in a composition that Henri Cartier Breson would be proud of.

It's one of the most beautiful movies I've seen in many years.

In truth that's probably its biggest strength.

It is, but it isn't really, narrative driven. More episodic than story driven but it does tell a tale about director Pawel Pawlikowski's parents' love affair set against the Cold War backdrop in his native Poland.

It's fairly sordid in a way (his mother was abused by her father as a child) but without anything shocking to see.

Imagine, yes.

The two leads ( Joanna Kulig and Tomasz Kot) are magnificent. Brooding, beautiful (although unconventionally so) and real.

Lucas Zal has a great time dwelling on three particular things. Crowd shots. Amazing, Dance sequences. Amazing. Joanna Kulig (the lead). Amazing.

In particular, Joanna Kulig has a stand out performance. She's not one to show her enjoyment in life. Sullen most would say. But it is an immense performance.

It's a love story, set against the challenges that Cold War Poland put in front of people of artistic belief where communist doctrine made creativity very difficult.

What Pawel Pawlikowski achieves is a mood piece of exemplary, peerless really, detail.

And it's a musical.

I was constantly drawn to comparing it to La La Land, yet it is so NOT La La Land. Partly it's down to Kulig who shares the unorthodox looks (beauty) of Emma Stone. Partly it's the framing of Zal.

And the music fuses from Polish country folk to French basement jazz (which La La Land would have been so comfortable with).

This is an Oscar nomination shoe in. It's absolutely brilliant.

And, at 88 minutes, certainly does not outstay its welcome.

Bravo!

A Straight 10 from me.

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